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Showing 1 - 7 of 7 matches in All Departments
I was twelve years old when what I'm about to tell you took place. Today, sixteen years later, I still recall the pounding of my heart as I heard the approaching footsteps of the bully of Heidelberg University. Above me on the bed sat Heinrich Rosenthal, a little man, seventy years old, with a big white mane of hair, but under the bed I was very much alone, and I remember thinking in those moments of suspense, Mom's right, maybe I should go out and make friends my own age instead of always hanging around by myself or with weird people like Mr Rosenthal. So begins an intriguing tale of friendship between an extraordinarily beguiling boy and an old man with a past - a history that shapes the plot of "Duel" and cleverly unfurls in the way real stories do between friends. David and Mr Rosenthal are generations apart in age but equally brave, equally stubborn and each as unique for their years as the other.
In a chorus of voices The Smile of the Lamb tells the story of Uri, an idealistic young Israeli soldier serving in an army unit in the small Palestinian village of Andal, in the occupied territories, and his relationship with Khilmi, a nearly blind old Palestinian storyteller. Gradually as the violent reality of the occupation that infects both the occupier and the occupied alike merges with the old man’s stories, Uri, captivated by Khilmi’s wisdom, tries to solve the riddles and deceits that make up his life.
David Grossman's classic novels See Under: Love and The Book of Intimate Grammar, earned him international acclaim as an author of childhood. The Zig Zag Kid is written in a more optimistic vein, and recounts thirteen-year-old Nonny Feuerberg’s picturesque journey into adulthood. As Nonny’s Bar Mitzvah year trip turns into an amazing adventure, he not only finds himself befriending a notorious criminal, and a great actress, but confronts the great mystery of his own identity.
Momik, the only child of two survivors, is brought up in Israel by a family seeking to ignore the past. No-one will explain to him what life was like 'Over There' or what the 'Nazi Beast' is. His 9-year-old mind imagines a Nazi Beast hiding in the cellar, waiting to feed on Jews. Momik increasingly shields himself from all feeling and attachment. But through the stories his great-uncle tells him-the same stories he told the commandant of a Nazi concentration camp-Momik, too, becomes "infected with humanity." See Under: Love is a luminously imaginative and profoundly affecting work.
Eleven years old and on the cusp of puberty, Aron Kleinfeld is precocious, imaginative - the leader of his gang of friends. But his bar mitzvah is looming, his friends are all hitting puberty and Aron, terrified and revolted by what he sees around him, enters a state of arrested development. He stops growing, retreats from the world, and is imprisoned in the body of a child for three long years. While Israel inches towards the Six-Day War, and his friends cross the boundary between childhood and adolescence, Aron remains in his child's body, spying on the changes that adulthood wreaks as, like his hero Houdini, he struggles to escape the trap of growing up.
Uri and Katzman are Israeli soldiers occupying a Palestinian village in the West Bank. Uri is idealistic and full of hope, feels the injustice of the occupation keenly, and becomes close to Khilmi, the village storyteller. Katzman on the other hand is 'a contracted muscle' - he has taught himself not to feel. And Shosh, Uri's wife, daughter of liberal immigrant parents and juvenile psychiastrist, is succumbing to her own struggles with power and truth. When Khilmi's adopted son is killed in a 'security operation' and when Uri discovers how far deception and injustice have penetrated into his own life, their reactions are drastic and unforseen.
In this powerful novel by one of Israel’s most prominent writers, Momik, the only child of Holocaust survivors, grows up in the shadow of his parents’ history. Determined to exorcise the Nazi “beast” from their shattered lives and prepare for a second holocaust he knows is coming, Momik increasingly shields himself from all feeling and attachment. But through the stories his great-uncle tells him—the same stories he told the commandant of a Nazi concentration camp—Momik, too, becomes “infected with humanity.” Grossman’s masterly fusing of vision, thought, and emotion make See Under: Love a luminously imaginative and profoundly affecting work.
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